<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
   <title>codegen86&apos;s Blog</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/blogs/codegen86/" />
   <link rel="self" type="application/atom+xml" href="http://www.talkingpointsmemo.com/talk/blogs/codegen86/atom.xml" />
   <id>tag:www.talkingpointsmemo.com,2008:/talk/blogs/codegen86//1035</id>
   <updated>2008-11-11T13:44:53Z</updated>
   
   <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.21-en</generator>


<entry>
   <title>Whitewashing Stalin</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/blogs/codegen86/2008/11/whitewashing-stalin.php" />
   <id>tag:www.talkingpointsmemo.com,2008:/talk/blogs/codegen86//1035.243855</id>
   
   <published>2008-11-11T12:31:58Z</published>
   <updated>2008-11-11T13:44:53Z</updated>
   
   <summary>Yesterday I came across an interesting article on the BBC News website. The article looks at why it is acceptable to display portraits of Stalin or Lenin or Mao while images of Hitler would be utterly out of the question.As...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
   <category term="8704" label="propaganda" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[Yesterday I came across an <a href="http://news.bbc.co.uk/2/hi/uk_news/magazine/7719633.stm">interesting article on the BBC News website</a>. The article looks at why it is acceptable to display portraits of Stalin or Lenin or Mao while images of Hitler would be utterly out of the question.<br /><br />As it turns out, much of this strange difference in attitudes has to do with history. In World War II, the US and Britain knew they needed the USSR on their side to defeat Hitler. They were well aware of many of Stalin's atrocities (the 1930s had been the height of Stalin's terror) but consciously whitewashed Stalin's image and painted the USSR as a happy place.<br /><br />The Allies for instance suppressed information about the Katyn massacre and George Orwell had problems publishing his Animal Farm because it was too obviously about the bolsheviks.<br /><br /><a href="http://news.bbc.co.uk/2/hi/europe/7720293.stm">Some even believe</a> that Polish exile PM (Gen Wladyslaw Sikorski), who was demanding a thorough investigation of the Katyn massacre, was murdered in order to preserve good relations between the USSR and Britain.<br /><br />I can understand why the US and Britain decided that the Nazis posed a more immediate threat and temporarily allied with Communists, even though the Communists were no less aggressive and dangerous.What I don't understand is why, now that the full extent of communist atrocities is known, it is still acceptable or even hip to display communist symbols or images of communist leaders, while it is (understandably) gauche to show any similar respect to Nazism and its head honchos.<br /> ]]>
      
   </content>
</entry>

<entry>
   <title>Withdrawal</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/blogs/codegen86/2008/11/withdrawal.php" />
   <id>tag:www.talkingpointsmemo.com,2008:/talk/blogs/codegen86//1035.243389</id>
   
   <published>2008-11-06T22:58:18Z</published>
   <updated>2008-11-06T23:24:55Z</updated>
   
   <summary>No polls. No rallies. No attack ads. No gaffes. No debates. No outrageous statements by the opposing campaign. No nervous worrying about the election outcome.In a word, boredom....</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[No polls. No rallies. No attack ads. No gaffes. No debates. No outrageous statements by the opposing campaign. No nervous worrying about the election outcome.<br /><br />In a word, boredom.<br /><br />]]>
      <![CDATA[Well, not exactly boredom. It's more like the day after Christmas. The presents were wonderful but you can't look forward to them anymore. It's emotional exhaustion, after the soaring high it's not exactly a low, but it's impossible to stay high forever.<br /><br />Or maybe it's a little like the end of a war. You always knew the war would end one day, and you always believed the good guys would win (and you always believed <i>you</i> were one of the good guys). Now the fighting is over and all the men and women in uniform are out of a job, suddenly they have to find something else to do. It's time to stop building guns and bombs and switch back to peacetime production.<br /><br />Victory is sweet, ever so sweet... but the damage is extensive and it's going to take an awful lot of effort to put things back in order. Maybe things don't look so bright anymore now that the euphoria has subsided a little.<br /><br />There is a silver lining though... what was damaged can be fixed, what was destroyed can be rebuilt. Not only that: It can be made better than it was ever before! A once in a generation opportunity.<br /><br />The future has arrived. We'll have to live in it, so why not try and make the best of it.<br />]]>
   </content>
</entry>

<entry>
   <title>A Victory of Hope</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/blogs/codegen86/2008/11/a-victory-of-hope.php" />
   <id>tag:www.talkingpointsmemo.com,2008:/talk/blogs/codegen86//1035.243126</id>
   
   <published>2008-11-05T20:40:39Z</published>
   <updated>2008-11-05T21:46:15Z</updated>
   
   <summary>Sometimes things need to get worse before they can get better. In 2004, G.W. Bush eked out a victory because it was not yet obvious to enough Americans how damaging and unproductive his presidency was. It took Hurricane Katrina to...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
   <category term="8394" label="Hope Obama" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[Sometimes things need to get worse before they can get better. In 2004, G.W. Bush eked out a victory because it was not yet obvious to enough Americans how damaging and unproductive his presidency was. It took Hurricane Katrina to open people's eyes.<br /><br />Bush's victory in 2004 and Obama's victory in 2008 could not be more different. Bush ran on a platform of fear, hate and negativity. Fear of external enemies, terrorists. Hate of gays, liberals, anyone different. The strategy was to tear down the opponent. In 2004, this worked - just.<br /><br />In 2008, the situation was different. Terrorism was no longer an issue; of course - if there are no attacks, people tend to forget, and if there were attacks, it would mean the government failed at its job. Economic uncertainty was a huge concern instead, and spreading more fear against that clearly wasn't going to win Republicans the election.<br /><br />More importantly, Obama ran a different kind of campaign. His message was hope, not fear. He skilfully chose between pushing back aggressively on some attacks, and not dignifying others with a response. Obama's 30-minute infomercial was notable for completely ignoring McCain. While McCain came across as negative, vicious, and desperately erratic, Obama was calm, deliberate, in control. When he had to, Obama made tough choices - disavowing Rev. Wright or reneging on the public financing pledge. Most importantly, Obama was a strategist with a long term view, while McCain was not even an adequate tactician.<br /><br />The message of hope and change resonated with many first-time voters, young or older. Young people are too idealistic and unspoiled to respond to a message of fear; they can't have lived through decades of pain and resentment. And Obama found great support against minorities, as the GOP is rapidly becoming the party of white men with poor education (there's a hint Barack - a good education system produces fewer Republicans).<br /><br />Obama has shown that it's possible to win by running a largely positive campaign. McCain was too busy throwing mud to notice that it was only himself who ended up being dirty.<br /><br />I am enormously happy that Obama won, but I'm also encouraged by the <i>way</i> he won. Instead of an either you're with us or you're against us mindset, he ran an inclusive campaign, embracing Republicans instead of driving them away. This should give him a much more solid foundation to govern from than Bush ever had.<br /><br />There are interesting times ahead. But somehow with Barack Obama in charge, nothing seems unsurmountable (just look at all the obstacles <i>he</i> has overcome). For now at least.<br /><br />Discuss.<br />]]>
      
   </content>
</entry>

<entry>
   <title>BBC News Election Coverage</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/blogs/codegen86/2008/11/bbc-news-election-coverage.php" />
   <id>tag:www.talkingpointsmemo.com,2008:/talk/blogs/codegen86//1035.241671</id>
   
   <published>2008-11-01T12:37:52Z</published>
   <updated>2008-11-01T13:20:08Z</updated>
   
   <summary>The BBC News website has been running in-depth coverage of the US 08 election since late last year. Certainly the attention BBC is devoting to this election far surpasses any US coverage of a foreign election, but this is not...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
   <category term="8025" label="BBC" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[The BBC News website has been running in-depth coverage of the US 08 election since late last year. Certainly the attention BBC is devoting to this election far surpasses any US coverage of a foreign election, but this is not in the least surprising.<br /><br /><a href="http://news.bbc.co.uk/2/hi/in_depth/americas/2008/vote_usa_2008/default.stm">This is the BBC News site sub-section covering the 08 election.</a><br /><br />The BBC coverage is somewhat different from what may be found in the US news media. The BBC is more neutral, more distant. There is no partisan slant. The reporters are fairly good at hiding their personal preferences and hence are regularly accused of being in the tank for either candidate.<br /><br />During the primaries, there was perhaps a very slight pro-Hillary bias - I suspect that the reporters genuinely didn't believe Obama could win. Even now, the reporting is far more neutral than one might expect from a supposedly leftist organization like the BBC. There is no real criticism of McCain, even though the reporting makes it clear that McCain's chances of winning at this point are virtually nil.<br /><br />Since the conventions, the BBC has several new reporters on the ground. <a href="http://www.bbc.co.uk/blogs/talkingamerica/">Some</a> of them, in <a href="http://www.bbc.co.uk/blogs/thereporters/justinwebb/">addition</a> to regular reporting, <a href="http://www.bbc.co.uk/blogs/thereporters/matthewprice/">also</a> have their own <a href="http://www.bbc.co.uk/blogs/thereporters/gavinhewitt/">blogs</a>. These blogs are great for adding color to the normal reporting, especially because they're written from a non-American perspective.<br /><br />The BBC also has regular "Voters' Views" mini-features like <a href="http://news.bbc.co.uk/2/hi/americas/7699364.stm">this one</a>, where random voters are giving their opinion on certain events. These are always interesting to read for the sheer range of diametrically opposing views.<br /><br />When it comes to primary news reporting, BBC's election coverage frankly has very little new or different to offer, simply because the election is so well covered by all news organizations. The background and analysis features are rarely boring, however. The BBC often tries to explain the intricacies of the US political process; this is aimed at non-Americans, but some Americans may find it enlightening as well (not necessarily the political junkies comprising the TPM readership though).<br /><br />A final note about form - the BBC News website features relatively short, easy to read articles. The site is light on advertising (no ads if you read in the UK I believe) and the layout is very clean and well organized. Worth reading.<br /> ]]>
      
   </content>
</entry>

<entry>
   <title>Obama in Berlin</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/07/obama-in-berlin.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.205214</id>
   
   <published>2008-07-23T12:27:58Z</published>
   <updated>2008-07-23T12:27:58Z</updated>
   
   <summary>At Fran&apos;s sort-of-request :)I don&apos;t follow German media all that closely but it hasn&apos;t escaped my attention that Obama&apos;s upcoming visit is getting considerably more coverage than Bush&apos;s trip in June. Sunday newspapers devoted much attention to Obama. Tomorrow, major...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[At Fran's sort-of-request :)<br /><br />I don't follow German media all that closely but it hasn't escaped my attention that Obama's upcoming visit is getting considerably more coverage than Bush's trip in June. Sunday newspapers devoted much attention to Obama. Tomorrow, major German TV stations are expected to broadcast Obama's speech live.<br /><br />Not surprisingly, Chancellor Merkel's statement that Obama should not speak in front of Brandenburg Gate received considerable attention in Germany. While the Chancellor does not decide where in Berlin Obama can or can't hold speeches (the city of Berlin does), Obama understandably did not want to upset Merkel, and the agreed upon solution was to set up the stage not at the gate but close enough that it will be seen in photos and TV shots.<br /><br />There is some speculation as to why Obama picked Germany to deliver a major speech and hold talks with the Chancellor, while planning relatively low-key visits to France and the UK. I am not going to engage in this speculation.<br /><br />German media follow the US election campaign quite closely (especially compared to the non-attention German politics gets in the US), hence it's not surprising that the weeklies and magazines are spending a lot of ink on Obama's trip.<br /><br />The latest issue of Der Spiegel has a <a href="http://www.spiegel.de/spiegel/inhalt/0,1518,ausg-4319,00.html">cover story on Obama</a> - the title is "Germany meets the Superstar", a riff on "Germany seeks the Superstar", the German version of American Idol. Rather appropriate I thought.<br /><br />Spiegel Online has <a href="http://www.spiegel.de/politik/ausland/0,1518,567439,00.html">an article</a> on Obama's visit, of which I unfortunately can't find an English translation. The title is "Berlin speech has Obama aides worried"; the article talks about a fear of gaffes (especially since Obama is followed by so many US journalists) and Obama's difficult balancing act in pleasing the Europeans without offending Americans and vice versa. After all, it's American votes that Obama needs, not German ones.<br /><br />Tomorrow we'll know if Obama's German visit was a success... my own gut feeling is that it will be - not that that's worth anything.<br />]]>
      
   </content>
</entry>

<entry>
   <title>Guns, Germs, and Steel</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/07/guns-germs-and-steel.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.205070</id>
   
   <published>2008-07-22T14:26:49Z</published>
   <updated>2008-07-22T14:26:49Z</updated>
   
   <summary>A short review of a book by Jared Diamond.Guns, Germs, and Steel is not a new book - it was published in 1997 and even won a prize or two at that time. But for numerous reasons, I missed it...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[A short review of a book by Jared Diamond.<br /><br /><i>Guns, Germs, and Steel</i> is not a new book - it was published in 1997 and even won a prize or two at that time. But for numerous reasons, I missed it back then. I saw the book being mentioned at TPM during discussions about Diamond's more recent works, but when two friends independently mentioned <i>Guns, Germs, and Steel</i> to me several weeks ago, I decided to buy the book and read it for myself. I did not regret that decision.<br /><br />The informal subtitle of the book is <i>A short history of about everyone for the last 13,000 years</i>, which is highly appropriate. <i>Guns, Germs, and Steel</i> is a high level view of human history; it's not a view from 50,000 feet, it's a view from space.<br /><br />Diamond is looking for the answer to a big question: why did human history happen the way it happened, and more precisely, why did the Western European civilization end up taking over the rest of the world instead of being taken over by, say, the Chinese or the Aztecs - especially when Europe wasn't even the most advanced continent until roughly 1,500AD.<br /><br />The author starts examining human history about 13,000 years ago because that coincides with the rise of food production, domestication of plants and animals, and a move from simple tribal hunter-gatherer or nomadic societies towards more hierarchical village- and later city-based societies. Diamond gives very compelling explanations for why food production arose in the Fertile Crescent and few other areas, but not for example Australia or California.<br /><br />These reasons have nothing to do with what kind of humans lived where (there is a thread of anti-racism winding through the entire book) and everything to do with facts of geography and climate. For example only several large mammals can be domesticated... and none of them happened to live in North America or Australia.<br /><br />With food production and more complex societies came a positive feedback cycle involving higher population densities, more complex societies, and especially technology. This development independently started in several parts of the world, but was often brought to an abrupt halt by European colonists. We can only speculate what eg. Mesoamerica would look like in the year 2,000AD if the Europeans hadn't arrived.<br /><br />Diamond builds a strong case for Eurasia being by far the most "lucky" continent due to its size, climate, and quite importantly, East-West orientation of the continental axis (in contrast to the Americas and Africa). Exchange of crops, animals, and technology sped up the development of both European and Asian civilizations.<br /><br />The author provides compelling explanations for his theses, as well as a number of small case studies of human populations developing along diverging paths due to different environments. The book is generally very light on dates and names and is instead focused on general trends. However, there is a number of interesting examples of historic events, such as the conquest of South American and Mesoamerican civilizations by a shockingly small number of well armed and almost insanely daring Spaniards.<br /><br />The reference to guns and steel in the title may be obvious, but what about germs? World War II was the first large war in history where humans managed to kill more humans than diseases and epidemics did. Especially the conquest of the Americas by white Europeans was greatly aided by the germs they (unintentionally) brought to the New World. Again, the author explains why it was the Europeans infecting the American Indians with nasty diseases rather than vice versa; read the book if you want to know the explanation.<br /><br />For a book that is primarily a scientific work, <i>Guns, Germs, and Steel</i> is surprisingly readable. There is a substantial amount of information and the book contains a number of supplementary maps, tables and photographs, but the writing isn't dry. The reasoning is easy to follow and the explanations make good sense.<br /><br />I would recommend the book to anyone with the slightest interest in history (and that should be everyone). Again, <i>Guns, Germs, and Steel</i> is not a typical history book; it examines the broad patterns of human history rather than any specific periods, countries or personalities.<br /><br />Perhaps this is also an opportunity to mention other, somewhat similar books I have read... <i>A Short History of Nearly Everything</i> by Bill Bryson - exactly what the title says. A far more general book, concerned with the history of the entire Universe and Earth, less so with the history of humankind. <i>The Science of Discworld</i> by Terry Pratchett, Ian Stewart and Jack Cohen. Highly recommended for any Discworld fans, even though the title is misleading - this book is really about our world. The first volume deals with the Universe and Earth, the second volume (<i>The Globe</i>) focuses on the evolution and history of humans from prehistory to possible future. The third volume (<i>Darwin's Watch</i>) I haven't read yet and hence cannot report on. I should also mention <i>A Study of History</i>, a single-volume work by Arnold J. Toynbee and Jane Caplan, a book that is somewhat similar to Diamond's in scope but providing a much closer view of the history of world's civilizations.<br /><br />And as always, I'm interested in hearing about which similar books I might want to be reading next...<br />]]>
      
   </content>
</entry>

<entry>
   <title>Lessons of the Cuban Missile Crisis</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/07/lessons-of-the-cuban-missile-c.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.202948</id>
   
   <published>2008-07-07T11:36:42Z</published>
   <updated>2008-07-07T11:36:42Z</updated>
   
   <summary>The BBC has a very interesting article today, written by a historian who researched the Cuban Missile Crisis in great detail.As it usually is, he found that things were not quite as they seemed, or as we were told. The...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[The BBC has a <a href="http://news.bbc.co.uk/today/hi/today/newsid_7492000/7492678.stm">very interesting article</a> today, written by a historian who researched the Cuban Missile Crisis in great detail.<br /><br />As it usually is, he found that things were not quite as they seemed, or as we were told. The most interesting - and important and scary - aspect is that even the American and Soviet leaders themselves did not necessarily have timely or accurate information.<br /><br />Luckily, Kennedy at least was smart enough to realize that this was likely to be the case, and took it into account. Money quote:<br /><br /><blockquote>Fortunately, Kennedy did not believe his own spin. His own prior
experience - both as a US Navy lieutenant in World War II and the Bay
of Pigs fiasco in 1961 - had taught him to react sceptically to the
assurances of the military brass.<br /></blockquote><br />Kennedy knew that letting the crisis escalate would be extremely dangerous, because things were almost guaranteed to get out of control.<br /><br />The Crisis happened long before I was born, so I don't remember any of it. Maybe some of you do? If so, what was it like? Was it really something that people were taking very seriously at the time? Did everyone breathe a sigh of relief when the crisis was over?<br />]]>
      
   </content>
</entry>

<entry>
   <title>Crisis of Confidence</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/07/crisis-of-confidence.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.202425</id>
   
   <published>2008-07-02T12:33:10Z</published>
   <updated>2008-07-02T12:33:10Z</updated>
   
   <summary>The BBC has an interesting article titled Is the American Dream in Business? which takes a brief look at the not-so-bright prospects of contemporary Detroit.I left the US in late 2006 for the brighter skies (economically speaking) of the Old...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[The BBC has an interesting article titled <a href="http://news.bbc.co.uk/2/hi/americas/7482019.stm">Is the American Dream in Business?</a> which takes a brief look at the not-so-bright prospects of contemporary Detroit.<br /><br />I left the US in late 2006 for the brighter skies (economically speaking) of the Old World. At the time, things were still going pretty well in the US but you could see the gathering clouds on the horizon. The dollar was already sliding, oil prices were creeping up, and there were some signs that the house price bubble was going to burst.<br /><br />Things have clearly taken a turn for the worse since then. People fear a real economic crisis, and the American Dream does not seem quite as bright and shiny as it used to. What's it looking like from where you are?<br /><br />I'm really wondering how this will play out in the general election campaign. Will it be all about the same old irrelevant nonsense? Or will things get so bad that it will be simply impossible to ignore the harsh economic realities? And if so, will that play into Obama's hands, since the Republicans will have very hard time arguing that they're not responsible for the current state of the economy?<br />]]>
      
   </content>
</entry>

<entry>
   <title>Yes</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/06/yes.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.202022</id>
   
   <published>2008-06-29T15:01:41Z</published>
   <updated>2008-06-29T15:01:41Z</updated>
   
   <summary>We Can... talk about something other than FISA!Yes is the name of an English progressive rock band formed in 1968, forty years ago. Apart from a short pause in the early 1980s, the band has been active all those years.When...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[We Can... talk about something other than FISA!<br /><br /><i>Yes</i> is the name of an English progressive rock band formed in 1968, forty years ago. Apart from a short pause in the early 1980s, the band has been active all those years.<br /><br />When I was born, <i>Yes</i> was already famous, and some might say past their zenith. The first time I recall hearing about <i>Yes</i> was in 1990 on late night music radio. A year or two later I was staying at a friend's house over the summer and while browsing through his vinyl collection, I came across <i>Close To The Edge</i>, an album with strikingly simple light green sleeve and beautiful, haunting music. But the summer ended and with it ended my acquaintance with <i>Yes</i>, at least as far as the 1990s were concerned.<br /><br />Fast forward 15 years; iTunes finally arrives to my laptop. Looking around the iTunes store I found <i>Yes</i> and remembered the green cover. After expending a modest amount of dollars I discovered that I liked the music just as much as I had fifteen years ago.<br /><br />I like British prog rock music (<i>Pink Floyd</i>, <i>Van der Graaf Generator</i>) so naturally I started exploring <i>Yes</i>. And I liked what I saw, or rather heard. <i>Relayer</i>, <i>Going for the One, Keys to Ascension</i>, <i>Magnification</i>, <i>Journey to the Center of the Earth</i>, <i>Tales from Topographic Oceans</i>, even the first eponymous album from '69.<br /><br />The music of <i>Yes</i> is... well, for one, not pop music. It's almost an anathema of pop music with long tracks (many around 20 minutes), extended instrumental sequences, high dynamic range, and somewhat impenetrable lyrics. Definitely not suited for radio play and possibly something of an acquired taste. Plus a lot of it sounds like it was made in the 1970s... because it was.<br /><br />I find much of the <i>Yes</i> music very compelling and fascinating. I'm no musician but even I can tell that many of the <i>Yes</i> compositions are structured exactly like classical music, with clearly identifiable movements and main themes, yet sound so unlike classical music.<br /><br />I always wonder what the music of Bach or Vivaldi or Tchaikovsky would look like if they lived today. Maybe some of it would sound a lot like <i>Yes</i>.<br /><br />Worth mentioning are also <i>Yes</i> cover versions of songs by other artists, for instance <i>Every Little Thing</i> by the <i>Beatles</i> and <i>America</i> by Simon &amp; Garfunkel. In both cases, it takes a bit of careful listening to realize what the originals are, but the <i>Yes</i> covers are different and beautiful in their own way.<br /><br /><br />It is probably wholly coincidental that <i>Yes</i> is also the name of a track on the latest <i>Coldplay</i> album, <i>Viva la Vida or Death and All His Friends</i>. Compared to <i>Yes</i>, <i>Coldplay</i> is much poppier and easier to listen to. <i>Coldplay</i> music is colorful, sweet, mellow, inoffensive, bright, glittery, attractive, soft. It's difficult not to like <i>Coldplay</i>, which is probably a good reason for musical snobs to hate them.<br /><br /><i>Viva la Vida</i> is very well produced and compared to the previous releases, it's more of an album and less a collection of independent tracks. This is also reflected in slightly longer tracks, with two around the seven minute mark.<br /><br />I rather like <i>Viva la Vida</i> and in my opinion it's a notch above the earlier albums. I doubt anyone would claim that it's a step back for <i>Coldplay</i>. Certainly the charts show that <i>Coldplay</i> hasn't lost its fans - not that I think the charts mean anything.<br /><br /><br />If I had to guess which music will be more popular 20 years from now, <i>Yes</i> or <i>Coldplay</i>, I'd be hard pressed to make a choice. <i>Yes</i> has already proven its worth and while <i>Coldplay</i> might be a fad, I don't think it is. <i>Coldplay</i> is more accessible but then again, the fact that the music of <i>Yes</i> is more challenging is also what makes it worthwhile. We'll just have to wait and see.<br /><br />As always, I'm interested in hearing recommendations of other similar music.<br />]]>
      
   </content>
</entry>

<entry>
   <title>The Myth of Sandman and American Gods</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/06/the-myth-of-sandman-and-americ.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.201149</id>
   
   <published>2008-06-22T15:03:33Z</published>
   <updated>2008-06-22T15:03:33Z</updated>
   
   <summary>Time for a little Sunday book review...The first thing that throws people off about Sandman is that it&apos;s a graphic novel, also known as a comic book. But that only determines form, not content.The main - but not always central...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[Time for a little Sunday book review...<br /><br />The first thing that throws people off about <i>Sandman</i> is that it's a graphic novel, also known as a comic book. But that only determines form, not content.<br /><br />The main - but not always central - character is Sandman, more often referred to as Dream or Morpheus. There is a main story arc with many branches and subplots. Sandman is a collection of stories inspired by a great number of sources. Greek, Egyptian and Norse mythology, Bible and Christian myth, Shakespeare, old African and Arabian stories, modern urban myths, plus a number of original stories. There are of course occasional hat tips to comic book heroes, but not too many of those.<br /><br />Dream and his siblings are the Endless - far older and more powerful than gods, although not omnipotent (after all, having more than one omnipotent entity inevitably leads to trouble). They are, roughly in order if seniority, Destiny, Death, Dream, Desire, Despair, Destruction, and Delirium (formerly Delight).<br /><br />Death is one of the more prominent characters in <i>Sandman </i>- she is Dream's older sister and she's... rather unorthodox. She's not evil or even threatening, she's actually very nice - if inevitable. And she usually looks like a goth chick, although like the other Endless, she can look any way she wants to if she wishes to blend with the crowd.<br /><br />Many of the stories are about humans, from purely mythological (Orpheus) to real historical personages (Emperor Norton). Much of the plot is set in contemporary (ie. circa 1990) America and Britain, as well as in the Dreaming, the domain of Lord Morpheus. There are plenty of excursions to other times and places, both real and imagined.<br /><br />The stories were all written by Neil Gaiman, but the drawing and coloring was done by a number of different artists. The main characters are always recognizable, and the distinct visual styles add to the variety.<br /><br />Originally, Sandman was published by Vertigo as monthly issues between 1989 and 1996. There are ten volumes total, each encompassing about 10 issues. Some of the volumes contain a single storyline, others are collections of very loosely connected stories.<br /><i><br />Sandman</i> is clearly meant for adult readers. To fully appreciate the stories, it helps to have at least cursory knowledge of the many sources it draws upon. The stories are - like most of Gaiman's work - quite original and unpredictable, even when the author recycles well established characters and plots. Definitely not what might be called conventional.<br /><br />That is no doubt part of the reason why <i>Sandman</i> won many accolades and is reportedly the only comic book to have made it to the NYT hardcover bestseller list to date. Norman Mailer is quoted describing <i>Sandman</i> as "a comic book for intellectuals".<br /><br />The only drawback is that the entire Sandman, either hardcover or paperback, is outrageously expensive. I don't know if it's just a rip-off or if full color printing is really that costly.<br /><br /><br />I should also mention another book by Neil Gaiman (text only, no graphic novel) called <i>American Gods</i>. Compared to <i>Sandman</i>, <i>American Gods</i> is structured very differently with far tighter storyline (it wasn't written and published over the period of eight years, after all) but is similarly packed with myth. The premise of the book is that all immigrants to America brought their gods with them... and the gods are still around, disguised as ordinary people.<br /><br />The book is also a kind of a road trip across America, no doubt inspired by Gaiman's own travels (Neil G. lives in the US, but is British). <i>American Gods</i> is truly a pantheon, with characters based on Norse, Anglo-Saxon, Egyptian, Indian, Slavic, and West African mythology (and more).<br /><br />Interestingly, there are several puzzles - or clues - hidden in plain sight. The names of several characters give them away, if you know how to decode eg. "Mr. Wednesday".<br /><br />In my opinion, <i>American Gods</i> is longer than it needs to be but not at all bad, and certainly chock full of myth and a good read overall. Recommended reading for anyone interested in myth, especially blending of ancient and modern myth.<br /><br />Discuss.<br />]]>
      
   </content>
</entry>

<entry>
   <title>His Dark Materials</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/06/his-dark-materials.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.199196</id>
   
   <published>2008-06-07T16:21:08Z</published>
   <updated>2008-06-07T16:21:08Z</updated>
   
   <summary>Short review of a trilogy by Philip Pullman. I kept hearing (mostly good things) about His Dark Materials for a long time; earlier this year I decided to finally bite the bullet and read the trilogy, all thousand pages of...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[Short review of a trilogy by Philip Pullman.<br />
<br />
I kept hearing (mostly good things) about <i>His Dark Materials</i> for a long time; earlier this year I decided to finally bite the bullet and read the trilogy, all thousand pages of it. I even splashed on the hardcover edition.<br />
<br />
The trilogy is billed as children's literature, but this is perhaps misleading. This is not another <i>Harry Potter</i> or <i>Chronicles of Narnia</i>.<br />
<br />
The three books are called <i>Northern Lights</i> (<i>The Golden Compass</i> in the North American edition), <i>The Subtle Knife</i>, and <i>The Amber Spyglass</i>. A powerful object of magical-like qualities ("compass", knife, spyglass) is central to the plot of each book.<br /><br />The main character is a 12-year old girl named Lyra, inquisitive, uncontrollable, and more special than she knows. She lives in Oxford, but it is immediately clear this isn't the Oxford we know. For one thing, everyone has a <i>daemon</i>, a physical manifestation (in the form of an animal) of part of one's personality. For another, there's magic, there are witches, the Church is all-powerful. But at the same time, there is plenty technology in this world - firearms, airships, trains. Oh, and there are polar bears - fighting bears.<br /><br />The first book's plot revolves about abductions of children, terrifying experiments performed on those children (not terrifying in the way you probably think of), and a quest to save them. There isn't anything all that special about the first book; it is well written and flows nicely, but its main function is to set the stage for the other two books.<br /><br />The second book also starts in Oxford, with a 12-year old boy named Will Parry. Only this is the Oxford as we know it. Will gets mixed up in some sticky business and while trying to escape, he stumbles upon a pathway to a parallel world where he soon runs into Lyra.<br /><br />Here the plot gets a lot more complicated. There is a number of parallel worlds and with proper equipment, it is possible to open pathways between them (but there is a cost...). Lyra and Will become, not unwillingly, pieces - definitely not pawns - in a grand game.<br /><br />In the third book, yet more complexity gets thrown into the mix, with a healthy topping of religion and philosophy. Here the writing is much more for 'young adults' rather than 'children'. The events finally culminate in an Armageddon style of battle between good and evil. And no, I'm not telling you who won.<br /><br />The trilogy is easy to read, but it's never dumbed down or predictable. I found it very enjoyable and even thought-provoking, fairly serious but never boring.<br /><br />The books have provoked some controversy. The author was accused of being anti-Christian, which is something he does not exactly deny. The Church in the books is painted in an unflattering light; it's a parallel world, but there are enough similarities for the criticism to find its mark.<br /><br />It is ironic that a book that isn't very nice to organized religion includes angels and even a god (but what's the point in believing them when plainly exist?), and the plot is clearly inspired by Biblical motives (Adam and Eve or Armageddon). <i>His Dark Materials</i> is an expression borrowed from Milton's <i>Paradise Lost</i>. In some ways, Pullman's trilogy is the anti-<i>Narnia</i>, set in a similarly magical world but drawing sharply different conclusions.<br /><br />Pullman himself is an agnostic but his books aren't really against religion per se; what he criticizes is religious dogmatism and the belief that the ends justify the means (exemplified in the character of a padre who is an assassin).<br /><br />All in all, His Dark Materials is a modern classic.<br /><br />I'm interested in hearing what others thought about the books (or the movie, which I haven't seen). What similar books or authors have you read?<br />]]>
      
   </content>
</entry>

<entry>
   <title>All Hail idiotic!</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/06/all-hail-idiotic.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.198968</id>
   
   <published>2008-06-05T20:56:57Z</published>
   <updated>2008-06-05T20:56:57Z</updated>
   
   <summary>I would like to publicly thank the poster known as idiotic, whoever he/she/it really is, for a most valuable contribution to this primary season.idiotic&apos;s EXCELLENT NEWS!!! has been the longest running joke I&apos;ve ever experienced. The sparse economy and bold...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[I would like to publicly thank the poster known as idiotic, whoever he/she/it really is, for a most valuable contribution to this primary season.<br /><br />idiotic's EXCELLENT NEWS!!! has been the longest running joke I've ever experienced. The sparse economy and bold (I'm tempted to say capital) style of idiotic's humor has never failed to amuse. A work of comedic genius, idiotic's surgical strikes have not missed the mark once.<br /><br />Imitators could not hold a candle to idiotic. Their posts never had the flair and razor sharp with of genuine idiotic. However, the EXCELLENT wave (dubbed the 'idiotic wave' by some) has taken idiotic's creation to the next level and provided a wonderful platform for teamwork and community building.<br /><br />Thank you, idiotic. We are now eagerly awaiting EXCELLENT NEWS!! FOR MCCAIN!!!<br />]]>
      
   </content>
</entry>

<entry>
   <title>Have you been paying attention during primaries?</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/06/have-you-been-paying-attention.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.198960</id>
   
   <published>2008-06-05T20:39:32Z</published>
   <updated>2008-06-05T20:39:32Z</updated>
   
   <summary>If so - and since you&apos;re reading this, you are almost certainly a political junkie, so you should have - you should have no trouble with this little 2008 primary quiz over at BBC News....</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[If so - and since you're reading this, you are almost certainly a political junkie, so you should have - you should have no trouble with this <a href="http://news.bbc.co.uk/2/hi/americas/7430209.stm">little 2008 primary quiz</a> over at BBC News.<br />]]>
      
   </content>
</entry>

<entry>
   <title>Call the Cleaners</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/05/call-the-cleaners.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.197863</id>
   
   <published>2008-05-31T12:44:38Z</published>
   <updated>2008-05-31T12:44:38Z</updated>
   
   <summary>I&apos;m all for light to no moderation. A decent community is largely self-policing and will take care of itself - see TrollCritic 3K/4K.Unfortunately, there&apos;s nothing the community can do about blatant spam by posters (professional spammers) like this one. I&apos;m...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Election Central" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[I'm all for light to no moderation. A decent community is largely self-policing and will take care of itself - see TrollCritic 3K/4K.<br /><br />Unfortunately, there's nothing the community can do about blatant spam by posters (professional spammers) like <a href="http://tpmcafe.talkingpointsmemo.com/profile/jeep1688">this one</a>. I'm calling on the TPM powers that be to take care of this infestation.<br /><br />It might make sense to have those "report abuse" buttons/links on blog posts. A sort of anti-recommendation. After a certain number of anti-recommends, a cleaner in authority could be notified, and would then evaluate the situation and take appropriate action. That way, no one needs to babysit the blogs but spammers can be booted off when necessary.<br />]]>
      
   </content>
</entry>

<entry>
   <title>Cats and Mouse</title>
   <link rel="alternate" type="text/html" href="http://www.talkingpointsmemo.com/talk/2008/05/cats-and-mouse.php" />
   <id>tag:tpmcafe.talkingpointsmemo.com,2008:/talk//17.197631</id>
   
   <published>2008-05-30T00:30:25Z</published>
   <updated>2008-05-30T00:30:25Z</updated>
   
   <summary>Let&apos;s pretend there&apos;s a mouse on this thread. All posters with cat avatars, please post here - and if you care, tell us your (cat&apos;s) name. You can play with the mouse before you pounce. Just don&apos;t drag the carcass...</summary>
   <author>
      <name>codegen86</name>
      
   </author>
   
      <category term="Cafe" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="http://www.talkingpointsmemo.com/talk/blogs/codegen86/">
      <![CDATA[Let's pretend there's a mouse on this thread. All posters with cat avatars, please post here - and if you care, tell us your (cat's) name. You can play with the mouse before you pounce. Just don't drag the carcass it inside, okay?<br /><br />Tigers and other felines are invited. Other animal avatars are allowed. Everyone else, please keep out - or risk a close acquaintance with some fang &amp; claw.<br /><br />And no catfights!<br />]]>
      
   </content>
</entry>

</feed>

 
